Having the best dynamic microphone can go a long way in the recording world. As this hobby is gaining traction across the globe, it has become apparent how much difference a good mic can make. You won’t need to worry about ambient noises or low-quality output anymore.
However, it is not at all an easy task to know exactly which microphone is the best. You need to examine a lot of viewpoints to pinpoint an exact answer, which can be a pain to do. That is precisely why we prepare this article with a thorough buying guide as well as some recommendations.
- Top 9 Dynamic Microphones Reviews
- 1. Pyle PDMIC59 Moving Coil Professional Dynamic Mic – Best Overall
- 2. Pyle PDMICR42SL Classic Retro Mics
- 3. Rode Procaster Broadcast Dynamic Mics
- 4. Amazon Basics Cardioid Dynamic Vocals Microphone
- 5. Audio-Technica AT2005USB Cardioid Dynamic Microphone
- 6. AKG D5 Vocal Dynamic Microphone – Great For Value
- 7. Shure BETA 57A High Output Neodymium Dynamic Microphone
- 8. Shure Super 55 Vintage Supercardioid Dynamic Vocal Microphone
- 9. Electro-Voice RE320 Dynamic Vocal Microphone
- How To Pick The Best Dynamic Microphones For Recording
- Why Should You Get A Dynamic Microphone?
- Frequently Asked Questions
Top 9 Dynamic Microphones Reviews
Here are the 12 best options currently on the market according to our observation. Each of them has its own strengths and weaknesses.
1. Pyle PDMIC59 Moving Coil Professional Dynamic Mic – Best Overall
The Pyle PDMIC59 Moving Coil Professional Dynamic Vocal Microphone checks all the necessary boxes to be the best all-around. From frequency response to optimal clarity, this microphone has it all.
- Ultra-Wide Frequency Range: Going from 0.05 khz to 15 khz, this mic can give you brilliant recording, no matter which instrument you use.
- Unidirectional pickup pattern: Capable of focusing completely on sounds from one direction.
- Highly sensitive: You can count on this mic to pick up any sound, no matter how low it is
This dynamic microphone is unidirectional, so its cardioid can focus on all kinds of sounds in one direction and ignore the rest. The huge frequency range also helps tremendously. From the vocalist’s voice to the guitar amplifier, nothing that it cannot record perfectly.
There is also the capability of limiting most off-axis noise to a minimum. As we have mentioned, this noise rejection feature is very helpful in a live setting.
- It has an intuitive switch for stage control
- You get the support of ZLR cables
- There is an integrated acoustic filter
- It has a weak build
2. Pyle PDMICR42SL Classic Retro Mics
If you want your recording to be as clear as possible, you need the Pyle PDMICR42SL Retro Dynamic Vocal Microphone.
- Pro-grade integrated pop filter: Good at limiting unwanted sound from entering your recording. You can be as wild with this mic as you want.
- Low-noise circuitry: Giving you a much higher signal output, especially good for people with lower voices.
- Relatively Lightweight: Making it much easier for you to control or set up.
This mic has a professional-grade integrated pop screen, which is so good that even wind cannot impact your sound. You will never have to worry about the mic making weird sounds accidentally.
Aside from the pop filter, we also like that it has a low noise circuitry integrated. Thanks to this circuitry, you get higher signal output, which is always a great feature to have. This case is especially true if you have a naturally lower voice, as it can be raised significantly.
- There is a low noise circuitry
- It has a high signal output
- The professional-grade pop filter protects against low handling noise.
- The mic is quite delicate
3. Rode Procaster Broadcast Dynamic Mics
Specifically designed to produce no-compromise performance, the Rode Procaster Broadcast Dynamic Vocal Microphone has a great ambient noise rejection design.
- Noise rejection design: Making sure that there will be no ambient noise muddying your records.
- Balanced low impedance: Good for smoothing your voice, adding depth to the recording.
- Internal shock mount: Preventing any low-handling noise from happening, providing a clearer sound.
With this microphone, you will never have to worry about any unwanted ambient noise in your recording. This feature is especially helpful if you live near some sources of white noise.
Also, the balanced low impedance and high output dynamic capsule aspects of this mic make it very good for broadcasting. There is also an internal shock mounting within the capsule, eliminating all kinds of low-handling noises.
- The mic offers no-compromise performance
- It has complete ambient rejection
- There is a high-quality internal shock mounting
- It needs a pre-amp
4. Amazon Basics Cardioid Dynamic Vocals Microphone
The Amazon Basics Cardioid Dynamic Vocal Microphone has arguably the best cardioid pickup design.
- Zinc die cast: Providing a high level of durability, making this mic last longer than its competitors
- Premium look: The die cast alongside the design gives this microphone a stylish look.
- XLR Connectivity Technology: The most popular way to hook up microphones. You will not need to worry about your device not accepting this mic.
Thanks to the cardioid pattern, its vocal amplification is also the best, as the result is indistinguishable from the real thing. There is no difference between what comes out of your mouth and the reproduction.
Moreover, this mic has a zinc die-cast, which provides an extreme level of durability. We believe that being durable is one of the more vital aspects of a live microphone, as accidents are unavoidable. Also, this zinc cast is a perfect match look-wise with the matte enamel finish.
- It has a durable zinc die cast
- Cardioid design provides better sound pickup
- The high vocal amplification gives good output
- It has high impedance
5. Audio-Technica AT2005USB Cardioid Dynamic Microphone
The Audio-Technica AT2005USB Cardioid Dynamic Microphone is, without any doubt, the most versatile on this whole list.
- Versatile Connection: Having both USB and XLR connectors, you can be sure that this mic can be used on all kinds of system.
- Low-mass diaphragm: Helping the microphone to attain a wider range of frequency response.
- Unidirectional pickup pattern: Good at focusing completely on sounds from just one direction.
The reason for this versatility is its capability to connect by both XLR and USB. Having these two means the mic can connect with practically any system.
Obviously, its recording performance is also top-notch. Thanks to having a low-mass diaphragm, this microphone has an extended, smooth frequency response. This kind of frequency response is perfect for doing podcasting, as it can make your voice warmer.
- It is highly versatile
- You are given the two most popular connection method
- The mic provides smooth frequency response
- The USB cable are low quality
6. AKG D5 Vocal Dynamic Microphone – Great For Value
If you do not have a high budget, then the AKG D5 Vocal Dynamic Microphone is the best choice.
- Versatile Connectivity Technology: Providing both wired and wireless connecting option, this mic open you up to many options.
- Low impedance: Lessening the chance of sound distortion from happening.
- Lightweight: Making it easier for you to move around while holding it.
This mic has a special varimotion diaphragm that is AKG laminated, which can increase the sound pressure level (SPL). You can reach 149 dB with 1% of THD, while 3% of THD can allow you a maximum of 152 dB. Of course, there aren’t many people capable of going that high.
- You don’t need to spend too much
- The AKG varimotion diaphragm increases SPL
- The rugged construction provides higher durability
- It has muddy lows
7. Shure BETA 57A High Output Neodymium Dynamic Microphone
The Shure BETA 57A High Output Neodymium Dynamic has the highest gain before feedback among the options on this list.
- Neodymium Magnet: Reducing load impedance to a small value, making it easier to replicate sounds.
- Huge range of frequency response: Ensuring that you can record every instrument sound.
- Lightweight: Making it easier to dance or performing on live stage without tiring your arms.
Adding to its high gain is its Neodymium magnet, which reduces the impact of varying load impedance on the microphone. In other words, it will faithfully replicate any sound that you make with your instruments.
- You get the highest gain before feedback
- It is not affected by varying load impedance
- You can get faithful sound replication
- There is no vocal smoothing
8. Shure Super 55 Vintage Supercardioid Dynamic Vocal Microphone
If your goal is consistent and even frequency response, the Shure Super 55 Vintage Supercardioid Dynamic Vocal Microphone is perfect.
- Tailored Frequency Response: Providing the most consistent of output with all kinds of input sounds.
- Modern capsule design: Improving your recording crispiness, providing your sound a lot more clarity.
- Tight Supercardioid pattern: Accepting sounds from many directions, but it will block off the ambient noise.
The tailored frequency response needs no additional help other than some input trim yet still delivers a satisfying result.
This microphone also makes use of a modern capsule design, improving the crispiness of the recording. There is no recorder in this world that does not love a recording with higher clarity. We also want to add that the supercardioid pattern is quite tight.
- You get a highly consistent frequency response
- The mic is incredible at off-axis rejection
- The rugged die-cast is durable
- Basket will muck up the polar pattern
9. Electro-Voice RE320 Dynamic Vocal Microphone
If you are more concerned about quality than price, the Electro-Voice RE320 Dynamic Vocal Microphone is your answer.
- Unidirectional pickup pattern: Can focus wholly on sounds from just one direction.
- High Frequency Response: Capable of going over 18 kHz, suitable for people who have high opera voices.
- Low impedance: 150 Ohm, there will be virtually no sound distortion happening with this mic.
This professional-grade mic is specifically designed to reinforce all sounds with terrific details. No matter how low you get, it can detect and amplify.
This microphone has an advanced integral pop filter alongside a built-in humbucking coil. Together, these two work to eliminate almost all types of unwanted noise in a studio setting. As a result, you can achieve a virtually noiseless recording.
- It has good sound enforcement
- There is a unique switch for dual voicing
- The pop filter is advanced
- It costs a lot
How To Pick The Best Dynamic Microphones For Recording
Before diving into the recommendations that we have personally picked, you need to know some considerations. After all, none of us want to spend a reasonable sum for something not worth it.
What Will You Use The Mic For?
The most vital question that you need to ask yourself before getting started is, “Why do I need this mic?”. And there is a huge difference in things you need to look for between a mic for onstage vocals and one for home recording.
The microphone needs to blend in with the gear set up and the environment it will be used in.
For instance, it does not make sense to spend a lot on the Electro-Voice RE320 just to record basic demos. It is also not worth it to get this kind of microphone for your bedroom studio. The audio quality will suffer if you do not have a good preamp, which can be a sizable investment.
For this kind of situation, a more affordable mic with less sensitivity rating will always be a better pick.
Understanding What The Specs Entail
A mic’s polar pattern is its shape of sensitivity field. In other words, it means the directions that the mic will ignore or accept incoming sounds.
We call mics that accept sounds from all directions an omnidirectional mic, one accepting sounds from left and right bi-directional. In the same vein, a mic that only accepts sound from one single direction is called unidirectional. The current most seen type of mic is unidirectional, as it is the easiest to make.
There are a total of three patterns for these mics: hypercardioid, supercardioid, and cardioid. All three do not recognize off-axis and rear-axis sounds from the sides or behind the mic.
A mic’s cardioid pattern is usually the shape of a heart, making it very sensitive to any sound in front. On the other hand, it completely blocks off any sound in the opposite direction of where it is aimed.
You should be aware of a mic’s polar pattern as it is vital for recording in noisy situations. For example, if you are a vocalist milking it out in a band. All three types of cardioid mics will be able to focus solely on your voice, blocking the instruments out.
As its name suggests, frequency response means the frequency range in which the mic will pick up. For the most part, we refer to this range from low to high and measure it in Hertz (Hz). The 80 to 15 kHz is widely agreed to be the best range for vocal mics in general.
Nonetheless, if you are looking for milking toms and snares, you would need a lower range, maybe 50 Hz. It’s vital to go even lower for things like bass drum mics.
Sound Pressure Level
Sound pressure level, also called SPL, is the value determining how much volume a microphone can handle. It is quite an imperative value for loud instruments, of which drum is a prime example.
Why Should You Get A Dynamic Microphone?
Dynamic microphones are generally seen as an all-around jack of all trades in the world of recording. The most common words that you can find describing them are “well-rounded” and “mellow.” As such, they can do any recording you want with performance ranging from serviceable to good.
This type of mic is also relatively more affordable than most of its competitors, despite having incredible performances. For most people, recording is just a hobby, so getting a dynamic mic will be less heavy for their limited budget.
Also, dynamic mics do not require you to attach them to power sources to run. Due to having batteries, they can provide you complete freedom to move around while using them.
Frequently Asked Questions
Below are some of the most popular questions that buyers tend to ask. We hope that you can learn something helpful from them.
1. What’s Different Between Dynamic And Condenser?
The prime difference between these two most popular choices of microphones is the way they work.
Dynamic ones need the help of a magnet to receive sound waves and turn them into voltage. In other words, it is a reverse-speaker.
Condenser mics make use of the variable capacitance principle, so they work the exact same way batteries work. These mics offer the similar price ranges as dynamic mics,you will be able to work well with a great condenser for around or under $200.
2. What Is Phantom Power?
In simple terms, phantom power is an adapter that produces the +48V DC voltage that condenser microphones need to work. The majority of modern audio interfaces, as well as mixers these days, have +48 switches. However, there still are cases where an external supply of phantom power is needed.
3. Can Dynamic Mics Work With Phantom Power?
The short answer is yes, as dynamic microphones are capable of working safely with +48V powers. Nevertheless, if you use passive ribbon mics, it’s best not to use them with phantom power.
All in all, we have prepared for you quite a detailed guide on choosing the best dynamic microphone. With a good dynamic mic, you will be able to enjoy true freedom, as there is no wire limiting you.
We hope you can use this guide to determine an option that fits your situation the most. Our parting suggestion is to focus on your need first and foremost, then placing importance on each aspect accordingly.
Naturally, there is still a chance that you cannot decide on a single pick, as all the options are so good. Our recommendation is to get the Pyle PDMIC59 Moving Coil Professional Dynamic Vocal Microphone. This