9 Best Pop Filters That Improve Vocal Recording Quality

Getting a good pop filter can be quite a challenge. In this article, we will introduce you to the top 9 and the reasons we choose them.

by Derrick Reeves | Updated: September 10, 2021

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There are many benefits to having the best pop filter, you may just haven’t heard about them. For instance, a high-quality filter can stop moisture from destroying your microphone and filter out unwanted noises such as the plosives.

We do want to acknowledge that the market is currently full of low-quality knock-offs. As a result, the search for a valuable product can be like finding a needle in a haystack. Even if you know what to look for, like durability or mesh screen tightness, you will still lose lots of time.

That is precisely why we put this list together, introducing you to some of our top picks.

9 Best Pop Filters to Consider

After going through thousands of options, we were able to narrow the list down to 9 choices. Consider owning a good one for yourself as pop filters will be very helpful.

Auphonix Blue Yeti APHX-MFP-2 Gooseneck Clamp Pop Filter – Best For Blue Yeti

These days, the Blue Yeti microphone has become the next big thing, but it is quite picky when it comes to compatible pop filters. If you do have this mic, we recommend the Auphonix Gooseneck Clamp Pop Filter as the all-around best for Blue Yeti.

Features:

  • Dual-layer mesh screen
  • Flexible, fully rotational arm
  • Ultra-secure mounting
  • Custom design for Blue Yeti

Auphonix Blue Yeti APHX-MFP-2 Gooseneck Clamp Pop Filter – Best For Blue Yeti

This pop filter is equipped with a strong gooseneck mount specifically designed to clasp onto a Blue Yeti in seconds. Thanks to this design, there is almost no chance of the microphone losing its grip and collapsing into other gears.

The mic shield is a double-layer model, meaning there is no way for any plosive to enter the mic. After all, the plosive must go through the first layer, the air between the 2 layers, and then the second one.

Pros:

Con:

  • We are not impressed with the durability.

Neewer NW-35 Microphone Boom Arm Kit Pop Filter - Great Podcast Package

If you are serious about doing podcast, we recommend getting the Neewer NW-35 Microphone Boom Arm Pop Filter. It’s not just a pop filter but also a combination of an arm stand and a mic clip.

Features:

  • 360-degree flexible positioning
  • Adapter compatible with almost all mics and shock mounts
  • 3.3 lbs carry capacity
  • Double-layer pop filter

Neewer NW-35 Microphone Boom Arm Kit Pop Filter – Best Package

As we have mentioned, you do not get one single pop filter with this purchase. Instead, you get a package consisting of an NW-35 Boom Arm, an NW (B-3) Pop Filter, and a mic clip. 

The NW (B-3) Pop Filter is quite respectable, as it is made from high-quality nylon. Nylon is incredible at stopping unwanted air plosion from getting through - that is not to mention; there are 2 layers.

Pros:

  • There are many add-ons.
  • The pop filter’s material and design is good against poppings.
  • You get three rotation points, allowing incredible flexibility while adjusting the mic.

Con:

  • It is not very sturdy.

Nady MPF-6 Clamp-On Microphone Pop Filter – Best For Flexibility

If you are prone to changing your mic position, normal pop filters must be increasingly frustrating to use. Worry not; the flexible Nady MPF-6 Clamp-On Microphone Pop Filter can accommodate any position you want.

Features:

  • Flexible and long gooseneck holder
  • Multi-positional windscreen
  • All metal construction
  • Extendable bracket

Nady MPF-6 Clamp-On Microphone Pop Filter – Best Flexibility

Most features of this pop filter seem to focus on making it as flexible and customizable as possible. The screen can rotate a full 360 degrees, the bracket is extensible, and the gooseneck is very pliable. 

However, being so flexible does not take any durability away from this pop filter. The main reason for this phenomenon is the fact that the clasp assembly and the gooseneck’s material are made from metal.

Pros:

  • The metal frame is very sturdy and long-lasting.
  • A 360-degree rotating screen makes it easy to configure your mic.
  • A flexible gooseneck can fit the screen with any mic position.

Con:

  • You need to detach and clean it regularly.

InnoGear MU006 Dual Layered Pop Filter – Best For Anti-Plosive Recording Filter

When your goal is purely about stopping unwanted plosives, nothing can beat the InnoGear Dual Layered Pop Filter.

Features:

  • Tight mesh screen with dual-layer filter
  • Fully customizable gooseneck
  • Adjustable screw and rotating clamp
  • Hassle-free swivel mount

InnoGear MU006 Dual Layered Pop Filter – Best Anti-Plosive

The cause of this pop filter’s incredible capability to eliminate all unwanted plosives lies in the 2 layers of tight mesh. There are filters with tight mesh screen, and there are even more with 2 layers. However, you rarely see a filter combine these 2 features perfectly.

The clamp is also customizable to fit with almost all types of microphones, from Blue Yeti to FIFINE. All you need to do is adjust the screw to a tight enough fit around the mic.

Pros:

  • The double-layer tight mesh filter makes it extra hard for plosives to get through.
  • Almost all mics can stably fit with this filter, thanks to the adjustable screw.
  • Its simple design and lightweight ensure easy transportation.

Con:

  • You will be disappointed with the flexibility of the gooseneck.

Rode WS2 Microphone Pop Filter – For High-Frequency Details

One of the biggest weaknesses most pop filters have is that they accidentally block out the higher frequency details. That is not the case with the Rode WS2 Microphone Pop Filter.

Features:

  • Foam pop filter
  • Transparent filter
  • Offering additional protection for the mic

Rode WS2 Microphone Pop Filter – Best For High-Frequency Details

As it does not use the traditional mesh filter design, the Rode WS2 lets more high-frequency sounds pass. Nonetheless, it can still soften almost all plosives, preventing them from hitting the mic, thanks to the high-quality foam.

This cover of foam also serves as an additional layer of protection for the microphone. In the case of you accidentally dropping your mic, there will be little to no damage to the fragile electronics inside.

Pros:

  • The high-quality foam still allows certain high-frequency sounds.
  • It provides an additional protection layer for the mic.
  • You will benefit from a long warranty.

Con:

  • The build makes it porous and rough.

YOUSHARES 8541753690 Wind Cover Pop Filter

If you use a FIFINE USB mic, it must have been hard to find a suitable pop filter. This issue can be easily solved by getting the YOUSHARES Wind Cover Pop Filter.

Features:

  • Specifically designed for FIFINE microphones
  • Additional moisture and dust protection
  • Durable material

YOUSHARES 8541753690 Wind Cover Pop Filter – Best For FIFINE Mic

This pop filter has a special design that can only fit with a FIFINE USB microphone’s unique shape. Due to this reason, it is simply unchallengeable if it’s specifically the FINFINE mics that we are talking about.

We all know that the delicate electronic circuits within all types of microphones cannot handle moisture. As the filter envelopes the mic completely, there will never be any moisture capable of getting into your FIFINE microphone.

Pros:

  • A special design provides a snuggly fit for FIFINE USB mics.
  • It can offer further protection for the mic against moisture.
  • The microphone receives another shock-absorbent protection cover.

Con:

  • You may not agree with the high price.

Corsair Elgato 10MAD9901 Wave Anti-Plosive Pop Filter - For Wave mics

The Elgato Wave Anti-Plosive Pop Filter is the perfect accessory for any recording audio setups. It can easily  eliminating all pops and hisses with its one layer of steel mesh that sits between two layers of foam in order to absorb sound waves created by plosives.

Features:

  • 2 layers of steel mesh screen
  • Magnetic attachment points
  • Perfect fit for Wave

Corsair Elgato 10MAD9901 Wave Anti-Plosive Pop Filter – Best For Wave Mics

The Corsair Elgato Wave Anti-Plosive Pop Filter can be attached to all of the popular models in waves 1 through 3 thanks to magnetic attachment points which are strategically placed around it--making sure not a single pop makes through!

The secret lies within this design because there are 2 layers of foam and 1 layer of steel wire mesh creating an extra barrier against these sounds coming out from our mouths when we speak or sing into them!

Pros:

  • It is incredibly easy to set up.
  • You can be sure that it will stop all plosives.
  • It has high durability 

Con:

  • It is exclusively compatible with microphones from the Wave line.

Rode WSVM Pop Filter – Best for Blocking Wind

The Rode WSVM Pop Filter is a great choice for blocking wind. This pop filter should be used when you are trying to record outside, doing a vlog, outside broadcasting, or filming.

Features:

  • Affordable price
  • Durable construction
  • Good for shotgun and video microphones

Rode WSVM Pop Filter – Best Value

Although it can also block other sounds like air conditioners and HVAC units, its main purpose is blocking wind. It's great for protecting your microphone from the shocks of sudden blasts of wind, which could affect recording quality.

The WSVM Pop Filter also has a universal mount to match several different microphones thanks to the memory foam.

It also includes a hydrophobic foam windscreen that can be replaced when it begins to wear out, which is a great feature because it can get dirty and damaged when you are out in the field.

Pros:

  • It can fit with both video mics and regular mics.
  • The hydrophobic foam protects against wind.
  • Budget friendly.
  • Useful for blocking unwanted background

Con:

  • There might be problems when the wind reaches 15 mph.

Enabled Dragonpad DPD-POP-BKWT USA Microphone Studio Pop Filter

The thing that sets the Enabled Dragonpad USA Microphone Studio Pop Filter apart is its intuitive design.

Features:

  • Pop universal mount’s innovative design
  • Precise positioning thanks to flexible gooseneck
  • Highly customizable

Enabled Dragonpad DPD-POP-BKWT USA Microphone Studio Pop Filter – Best Design

You no longer need to struggle each time you want to change the filter’s angle to the microphone. The material making up this filter’s gooseneck is flexible yet firm, allowing easy adjustment.

We especially love the design choice of adding a tension screw and a unique bracket angle. Together with the C clamp, these two allow you to mount the filter to practically any type of mic.

Pros:

  • This filter is easily adjustable due to the flexible gooseneck.
  • It perfectly combines many features to provide the ultimate versatility.
  • You can customize the filter any way you want.

Con:

  • There are times where it completely blocks all high-frequency sounds.

Shure PS-6 Popper Stopper Pop Filter

People who are not fans of regularly changing pop filters should love the Shure PS-6 Popper Stopper Pop Filter.

Features:

  • Strong and durable construction
  • Rugged mic clamp
  • Easy to clean

Shure PS-6 Popper Stopper Pop Filter – Best Durability

Every single part of this pop filter is constructed with only one goal, being as durable as imaginable. From the all-metal gooseneck to the rugged microphone clamp and the high-quality mesh screen, each attribute can survive lots of damages.

Thanks to it having a total of 4 layers, Shure can afford to go easy on the tightness of the screen. That is precisely why the screen of this pop filter is incredibly easy to wash.

Pros:

  • You can easily wash the filter, removing all traces of saliva or dirt.
  • Its durability is through the roof.
  • The 4 layer screen makes it much more efficient at removing unwanted plosives.

Con:

  • Nothing but Shure mics can fit with it.

Pop Filters Buyers Guide

What Kinds of Pop Filters Are There?

There is actually only one kind of pop filter - something like a piece of mesh, stretched over a frame and placed in front of the microphone. The tricky part is to find out which properties are important for it to work as intended when recording vocals.

Pop filters come in many different forms: pop screen, breath filter, windshield... It's confusing which type of pop filter you should use while recording vocals. In fact, they all work about the same way.

The only difference is in how they are designed and manufactured. However, if the design differs too much from that of a regular pop filter, something can go wrong while recording...

I'll try to avoid being too technical here - but there are certain things a vocal pop filter has to be designed for, in order to work properly:

A vocal pop filter should be made of a non-resonant material. This is necessary to prevent low frequencies from being amplified in the studio. For example, if it's constructed out of fabric or felt, you'll have problems with bass buildup on your recordings.

Use a rubber band or something similar to secure the pop screen around the microphone. This is necessary to avoid the filter from sliding off when you blow on it.

If it's just a piece of fabric draped over the microphone, you'll have problems with resonance and will most likely get phase issues too.

Does It Matter Which Pop Filter I Get?

The short answer is, that yes it does matter which one you get. If you buy a cheap pop filter and try to record vocals, that high-end you are looking for just won't be there.

You might even get some extra harshness in your sound from the bass response of cheap pop filters.

You don't want a cheap foam pop filter or cloth pop filter because they are usually not designed with sound clarity in mind, therefore they will add more noise and hiss to your recordings.

A pop filter is designed to keep out the harsh sounds associated with plosives.  In order to achieve this, good solid construction and fabric will be required.

The reason a high-quality acoustic treatment is important is that the airborne sounds that reach your mic add color, character (airiness) and mask some of the nasty harshness associated with plosives.

Without the acoustic treatment, your high-end will be dulled and you just won't get that top-quality sound that you should if you want to compete in today's music market.

It's not enough anymore to just have a good microphone (although a good one is still critical). You need to do everything you can to record vocals with the best sound quality.

Don't settle for a generic foam pop filter, there are much better ways to achieve crisp airy vocals and keep plosives out of your vocal recording.

How Do I Choose The Best Pop Filter For My Needs?

Choosing a pop filter is not as simple as you'd think.  There are many different factors at play that affect the sound of your recordings.

Here are some things to go by when choosing a vocal pop filter:

If you use an open-back studio mic rather than an omnidirectional one, you will need a pop filter that is at least twice as thick in order to achieve the same results (of course, this only applies if your mic stand isn't very close to the recording source).

You will also need a larger pop filter if you sing loudly or have a deep voice. This is important otherwise you will get some nasty resonances and possibly even phase issues.

Some pop screens are made of a thick material and some are thin. Thicker ones absorb more low-end, so they will be better for recording vocals that have had too much bass buildup.

But if you use studio monitors to track with, thinner ones can be good because it's better not to hear too much bass from the room.

If you are recording in a small studio, use a smaller pop filter - otherwise, you'll get some resonance issues.

Are Windscreens Necessary to Get Rid of Plosive "P" and "B" Sounds?

Most vocalists are using a pop filter. This is essential when recording vocals, but many could benefit from the additional help of what studio engineers call a windscreen.

A windscreen looks like a foam wind-sock and you simply drape it over your pop screen.  It will get rid of plosive sounds in the same way a foam windscreen on a microphone does.

It's not very expensive and it will be worth the investment for many vocalists...

However, there are some drawbacks to using a windscreen:

A standard pop filter has two layers of mesh. One layer is behind the singer (in case he or she blows too hard) and one in front.  A windscreen has only one layer of mesh, so it's less effective at filtering out plosives.

However, this might not be a problem if you are using a more or less omnidirectional microphone anyway - like the Neumann U87, for example. The good thing about omnis is that they are less sensitive to plosives, so you don't need a windscreen.

This is not true for condenser microphones though, which are very fragile and should be shielded from your breath as much as possible.  Most often, the more directional a microphone is, the more it's affected by plosives...

Another drawback of a windscreen is that it's not as versatile:  If you have an open-back studio mic, you won't be able to use a windscreen because the air will escape from the back of your pop filter and there won't be enough resistance for it to work properly.

This is why many vocalists prefer using two separate tools: a pop filter and a windscreen.

So if you use an open-back mic, what should you do?

Well, there is no other way around it.  You'll have to buy two different products and there's no alternative that I'm aware of...

If you are lucky enough to own three studio mics, then you could set up a system that would allow you to use a pop filter and a windscreen at the same time.

This means buying an extra mic stand, another pop filter, a proper shock mount for each of your microphones, and a lot of cabling...

If this sounds like too much work for you, I would advise investing in a pair of studio monitors.  But if you don't want to, there are two alternatives that I can recommend:

Use only the pop screen for your vocals and use a separate windscreen when recording voiceovers - this is what most broadcasters in radio do.

Be careful not to blow too hard onto an omnidirectional microphone.  It can be quite tricky to position it right.

What's The Ideal Distance From My Mic to My Pop Filter?

The ideal distance depends on the size of your vocal source.  If you have a small mouth, then using a far-away pop filter will not only be dangerous to your mic but also ineffective in filtering out plosives.

You should make sure that half of the filter is 1/2" from your lips and the largest half is 1/2" from the microphone.  This will result in a virtually plosive-free recording - as long as you don't blow too hard.

You should also be careful not to stand too far from the microphone.  This can make you sound detached from the music and destroy your mix balance.

Conclusion

At the end of the day, we see no demerit in getting a pop filter. You can instead get quite a lot of advantages, the most notable one being the ability to eliminate all unwanted plosives. It can also help you in keeping the saliva from entering the microphone.

The main consideration should always be the mesh, as it will decide the filter’s effectiveness. You should never go below 2 layers.

With this requirement in mind, we could determine our choice, the Neewer NW-35 kit. It does not simply provide you with a high-quality filter but also a highly flexible, extended arm.

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